During March this year, me and a few people on my course at
university got the chance to go down to London. During this trip we got to tour
several animation studios. We got to ask professionals about their role in the
industry and really get a feel for how different companies work. It was great
to see companies like ‘Cartoon Network’ first hand. Each company was completely
different. They greatly varied in size and all had their own unique take on
production.
Studio AKA &
Picasso Pictures were the two smaller studios that we went to see. They mainly
focused on producing advertisements for other companies. They both worked like
this so that they could fund their own personal animation projects. This is
something I’ve always enjoyed about the U.K. animation industry. We have a lot
of independent studios capable of working on their own things. This gives us a
great range of creative styles across the industry. With both Studio AKA and
Picasso Pictures; the quality of production was really impressive. They both
had quite a free flow style of working; meaning basically everybody just worked
on what they could. The only thing I ever worry about when getting a job in
animation is being stuck doing the same thing. For these studios it didn’t seem
to be a problem.
Work from Studio AKA
Astley Baker Davies & Blue zoo were a pretty similar size
with approximately twenty people on staff. Blue zoo work on a couple of
television programs such as ‘Tree Fu Tom’ as well as doing commercials and
idents. Astley Baker was entirely focused on producing their own I.Ps including
‘Pepper Pig’ & ‘Ben & Holly's Little Kingdom’. They
use their own unique version of ‘Cel action’; which is a 2D animation package not
to dissimilar to ‘Flash’ or ‘Toon Boom’. Were as Blue zoo stuck to more
commonly used software packages such as ‘Maya’ and ‘3Ds Max’.
Work from Blue Zoo
It was hugely impressive to see Astley Baker produce two television series simultaneously, especially considering their team size. Blue zoo were no less impressive however. The scope of their projects gave the impression that would be a much bigger studio; needless to say everybody at blue zoo was an expert in their field.
Every single studio
apart from Cartoon Network let me film my time at their studios. I intend to
put this to great use towards my dissertation. My plan is to create a
documentary for my dissertation. It’s a shame I couldn’t film cartoon but understandable.
I found my time at
Cartoon Network the most inspiring. My time there pretty much forced my hand
into purchasing a Wacom Cintiq 21UX. This is after being told by a couple of
animators there that they found it pretty much essential to their workflow.
Cartoon Network’s London studio is currently working on the
second season of a television series called ‘The amazing adventures of Gumball’.
The show seamlessly combines elements of 2D animation in ‘Flash’ and 3D
animation in ‘Maya’ whilst overlaying all of this onto photo realistic
backgrounds done in ‘Photoshop’. It’s a very new and fresh style of animation.
And it was the only studio using all the same software I’m used to. I felt like
I knew what they were doing and this has got me really excited to try something
similar. I’m now planning on having my 3rd year animation follow a
similar workflow to theirs; combining 2D and 3D elements.
'Gumball' by Cartoon Network
All and all I found this London visit essential to planning
my future projects and even my career. It’s given me a realistic outlook on
what I can achieve. I’m feeling really positive about I will able to do during
my final year at university and hopefully it will give me the leg up I need to
get some were in the industry.
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